James’s best seller is, like the book itself, a wildly confused treatment of a perennial confusing subject. The last answer seems the most likely, since Sam Taylor-Johnson’s screen adaptation of E. Was it delight? Derision? Embarrassment? Surprise? All of the above? The source of that laughter continues to puzzle and intrigue me, perhaps more than the actual movie did.
At the end of a recent New York sneak preview of “ Fifty Shades of Grey” - in the blackout between the final lines of dialogue (“Anastasia!” “Christian!”) and the first breathy notes of the last Beyoncé song - a lot of the audience burst out laughing.
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